I like words. I like fat buttery words, such as ooze, turpitude, glutinous, toady. I like solemn, angular, creaky words, such as straitlaced, cantankerous, pecunious, valedictory. I like spurious, black-is-white words, such as mortician, liquidate, tonsorial, demi-monde. I like suave “V” words, such as Svengali, svelte, bravura, verve. I like crunchy, brittle, crackly words, such as splinter, grapple, jostle, crusty. I like sullen, crabbed, scowling words, such as skulk, glower, scabby, churl. I like Oh-Heavens, my-gracious, land’s-sake words, such as tricksy, tucker, genteel, horrid. I like elegant, flowery words, such as estivate, peregrinate, elysium, halcyon. I like wormy, squirmy, mealy words, such as crawl, blubber, squeal, drip. I like sniggly, chuckling words, such as cowlick, gurgle, bubble and burp.
I like the word screenwriter better than copywriter, so I decided to quit my job in a New York advertising agency and try my luck in Hollywood, but before taking the plunge I went to Europe for a year of study, contemplation and horsing around.
I have just returned and I still like words.
May I have a few with you?
385 Madison Avenue
My new favorite job application letter, from 1934. He ended up winning an Oscar for screenwriting!
If the moon smiled, she would resemble you. You leave the same impression Of something beautiful, but annihilating. Both of you are great light borrowers. Her O-mouth grieves at the world; yours is unaffected,
And your first gift is making stone out of everything. I wake to a mausoleum; you are here, Ticking your fingers on the marble table, looking for cigarettes, Spiteful as a woman, but not so nervous, And dying to say something unanswerable.
The moon, too, abuses her subjects, But in the daytime she is ridiculous. Your dissatisfactions, on the other hand, Arrive through the mailslot with loving regularity, White and blank, expansive as carbon monoxide.
No day is safe from news of you, Walking about in Africa maybe, but thinking of me.